<\/p>\n","post_title":"ComicBuzz Chats With Samuel Sattin","post_excerpt":"Unico: Awakening","post_status":"publish","comment_status":"open","ping_status":"open","post_password":"","post_name":"comicbuzz-chats-with-samuel-sattin","to_ping":"","pinged":"","post_modified":"2022-10-07 20:41:32","post_modified_gmt":"2022-10-07 19:41:32","post_content_filtered":"","post_parent":0,"guid":"http:\/\/comicbuzz.com\/?p=207818","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":207719,"post_author":"2","post_date":"2022-04-13 13:58:41","post_date_gmt":"2022-04-13 12:58:41","post_content":"With the release of the Kickstarter for\u00a0Godzilla & Kong: The Cinematic Storyboard Art of Richard Bennett<\/em>,\u00a0we are delighted to be joined today by\u00a0storyboard artist Richard Bennett.<\/span>\n\nHi Richard, it's a pleasure to have you here with us.<\/span>\n\nCould you please introduce yourself to our readers?<\/span><\/strong>\n\nMy name is Richard Bennett, I\u2019m a storyboard artist working in the film industry since 2003. Prior to that I worked in the\u00a0Comic Book industry between 1990 and 2000.\u00a0<\/span>\n\nYou have spent many years in the comic industry; could you tell us some of the titles that you have worked on?<\/span><\/strong>\n\nI started working at Neal Adams\u2019 Continuity, with \u2018CyberRad,\u2019 I was doing pencils & inks over Neal\u2019s layouts on that title.\u00a0Then I worked at Marvel on several X-Men books; Uncanny X-Men, X-Men, Wolverine, X-Force and a special project the \u2018X-Men Survival Guide to the Mansion.\u2019 Following that, I got called by Jim Lee at Wildstorm\/Image, and there I co-created the character \u2018Brass\u2019, for which I wrote, and did all the artwork on the mini-series. Besides that I worked there on the \u2019Wildcats,\u2019 \u2018Stormwatch,\u2019 \u2018Divine Right.\u2019 Also did a special, \u2018Gen 13: Wired\u2019 with Mike Heisler, which I\u2019m particularly proud of.\u00a0 During those years I also worked a bit with Marc Silvestri\u2019s Top Cow, on \u2018The Darkness,\u2019 \u2018Tales of the Witchblade.\u2019 I\u2019d say, though, the top project during that decade was the original \u201cBrass\u201d mini series.\u00a0<\/span>\n\nCould you tell us about the origins of\u00a0Godzilla & Kong: The Cinematic Storyboard Art of Richard Bennett<\/em>\u00a0book?<\/span><\/strong>\n\nI\u2019ve approached Clover Press with the idea of publishing a book with my storyboard work. At that time I had other\u00a0movies in mind since I already had the authorization to use the material done for those.\u00a0Ted and Robbie at Clover loved the coffee book compilation idea; however, they came back with the suggestion to use the work from the\u00a0three Legendary Monsterverse films exclusively on one volume. I thought the concept was brilliant, so we started working on that. Hank Kanalz from Clover was amazing working\u00a0with Legendary and Toho in order to get the greenlight to publish the boards.\u00a0So, here we are!<\/span>\n\n With the release of the Kickstarter for Carmen: The Graphic Novel, we are delighted to be joined today; by opera singer, writer and director Alek Shrader.<\/span><\/p>\n <\/p>\n Could you please introduce yourself to our readers?<\/span><\/strong><\/p>\n Hi! Thanks for reading this. I'm Alek Shrader, opera singer and director, and now a first-time comic creator. I'm a lifelong comics fan and collector, and I still have my childhood collection, worn out and a few covers missing. It's very fulfilling to be a part of the collision of these two worlds of opera and comics. As my legendary collaborator P. CRAIG freaking RUSSELL would attest, opera has excellent stories worth telling in this format. And just wait til you see what ANEKE has done with CARMEN... she knocked my socks all the way off. ARIZONA OPERA has produced this project, and I think it's just swell for an opera company to publish a comic book. Much love to you all!<\/span><\/p>\n <\/p>\n What can you tell us about Arizona Opera?<\/span><\/strong><\/p>\n Arizona Opera has been presenting opera since 1971 to the Phoenix and Tucson regions of Arizona, and after over 200 concerts and opera productions, they continue to seek innovative ways to expand the reach of opera as an art form. They are dedicated to their local communities, including educational outreach and Spanish-language groups, which highlights their strong value of service, in combination with musical artistry and stewardship. I like them so very much. They're led by Joseph Specter, President and General Director. Cassie Robel took the lead on our CARMEN project and was later joined by Courtney Clark. Their enthusiasm and support of this graphic novel has been unfailing.<\/span><\/p>\n Can you tell us about the origins of Carmen: The Graphic Novel<\/em>?<\/span><\/strong><\/p>\n This project was created for the Arizona Opera OnPitch Challenge, which was essentially Shark Tank for opera. AZO was searching for an innovative means of potential revenue which was anything but donations from wealthy patrons (which is how most American opera is funded). My sister sent me the link and we brainstormed a few ideas (of which we have many). We agreed a comic book would be great for school and new audiences while also being financially and logistically achievable for an opera company. So, I did a ton of Googling and put together a business plan. Then I submitted my pitch with a now-infamous video featuring my extensive comic collection, and I was chosen as a winner. We had a short list of potential operas to adapt, all of which were coming up in AZO's season. CARMEN was the obvious choice, as it is among the most famous operas ever created and lacked a recent graphic adaptation. Then it was up to me to find artists... which was daunting, as I had zero contacts in the comics industry. But gratefully, nearly everyone I reached out to on socials or via websites responded! The comics industry is good and generous! I mean, I asked P. Craig Russell for advice and he offered to do the layouts! Amazing!<\/span><\/p>\n For anyone unfamiliar with Carmen<\/em>, how would you describe it?<\/span><\/strong><\/p>\n CARMEN is a story about a young woman who faces challenges to her autonomy from society, misogyny, and men who won't take \"no\" for an answer. All she wants is freedom, and yet outside forces seek to control her. She is objectified and vilified. She has strong emotions and sometimes gets into trouble. She wants to live her life her way, and so she'll let Fate decide. It's very timely, to say the least. Bizet's music is gorgeous (and you have heard it before, even if you don't know it's from this opera). The art of P. Craig Russell and Aneke is equally ravishing. CARMEN is an icon.<\/span><\/p>\n <\/p>\n How did P. Craig Russell, Aneke and Hassan Otsmane-Elhaou join the team?<\/span><\/strong><\/p>\n Honestly, I just reached out on social media! When Craig wrote back, I couldn't believe it. I thought of a ton of questions so I could pick his brain until he decided to hang up on me... but what actually happened was we talked about OPERA and then he offered to do the layouts himself! I did not expect that to happen, and I was absolutely ecstatic. With Aneke (as with our guest artists providing art prints for the Kickstarter), I simply sent a polite DM, and promised to pay her full rate! As a performer with a rate, I know that one must not muck with rates. You can either afford to work with an artist or you can't-- don't lowball, it's insulting. Aneke is the *perfect* artist for this book-- her art, her colors, and her VOICE are vital to how CARMEN'S story is told. And I got lucky with Hass! I am a longtime subscriber to his industry mag PanelxPanel, and I follow him on twitter. One day, he put out an open call for projects, and I responded immediately! The dream team had been assembled!<\/span><\/p>\n What it is about Carmen<\/em>; that made you want to adapt it into a graphic novel?<\/span><\/strong><\/p>\n Among the opera crowd, CARMEN is a household name. And yet, there are some people out there who would love this opera-- they just haven't been invited in the right way. Graphic adaptations now exist for anything in prose, and that already huge readership is continually growing. I have Slaughterhouse Five, the graphic novel. Romeo and Juliet, the graphic novel. Annie, a Marvel Movie Special. Etc etc. Why not opera? If opera doesn't want to continue to be thought of as exclusive or old and dusty, we have to reach out in *other ways* to communicate our stories. Nothing will ever replace a live opera performance, but comics can serve as a gateway-- give these readers the story in the way they prefer to consume it, and maybe they'll be curious enough to come to the opera house to see the show. CARMEN has remained a favorite and most popular opera for over 150 years for good reasons. The music is gorgeous, the story is dramatic and engaging, and I think the character of Carmen still speaks directly to modern audiences. We are all enriched by this story, this OPERA.<\/span><\/p>\n <\/p>\n Was it a challenge to write Carmen: The Graphic Novel<\/em>?<\/span><\/p>\n It was! I consider myself a writer, but this was a totally new thing. I bought *literally* every how-to book I could find, which was great for technical education. But I learned the most by working with P. Craig Russell. His notes on my scripts were blunt and direct, and very actionable to make adjustments! (I actually threw out the first draft and started over from scratch!) Initially, I thought there might be a connection between the duration of a musical moment in the opera and space on the page. That formula might exist, but I never really cracked it... Next time, baby! Eventually, we had to dedicate our limited page space to the dramatic story beats and pacing, and Craig is a master there. I would have loved more pages to expand, but working in somewhat restrictive parameters can cause brilliant solutions!<\/span><\/p>\n We understand that there are several Kickstarter-exclusive prints available. What can you tell us about these prints?<\/span><\/strong><\/p>\n We have SIX exclusive OPERA art prints from seven phenomenal artists, and each one is STUNNING. ERICA HENDERSON, COLLEEN DORAN, and MARGUERITE SAUVAGE have created images of CARMEN. NATACHA BUSTOS has created an image of ARIADNE (from ARIADNE AUF NAXOS). ERICA D'URSO & MARISSA LOUISE have created an image of TOSCA (from TOSCA). ANA MIRALLES has created an image of THE QUEEN OF THE NIGHT (from THE MAGIC FLUTE). Absolutely incredible!<\/span><\/p>\n <\/p>\n Do you have a favourite Kickstarter reward?<\/span><\/strong><\/p>\n How can I choose amongst my children? I will PROUDLY add to my collection a signed copy of CARMEN, and EACH of the art prints. And then I'll look at that wall every single day and marvel that such art exists. And I'll be happier for it. <\/span><\/p>\n Any message for the ComicBuzz readers?<\/span><\/strong><\/p>\n Thank you for reading and letting me explore outside my comfort zone! This is a dream-come-true. It's wish fulfillment. I hope that you'll check out our book, and I hope you'll check out the opera, too!<\/span><\/p>\n We would like to say thank you to Alek for talking to us about his new graphic novel. We would like to wish the whole team of Carmen: The Graphic Novel<\/em> the best of luck.<\/span><\/p>\n Feel free to check out the Kickstarter: <\/span>Carmen on Kickstarter<\/a>. <\/p>\n","post_title":"ComicBuzz Chats With Alek Shrader","post_excerpt":"Carmen: The Graphic Novel","post_status":"publish","comment_status":"open","ping_status":"open","post_password":"","post_name":"comicbuzz-chats-with-alek-shrader","to_ping":"","pinged":"","post_modified":"2022-10-07 21:21:31","post_modified_gmt":"2022-10-07 20:21:31","post_content_filtered":"","post_parent":0,"guid":"http:\/\/comicbuzz.com\/?p=207681","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":207638,"post_author":"2","post_date":"2022-03-17 14:06:06","post_date_gmt":"2022-03-17 14:06:06","post_content":"We are so happy to be joined by Josh O'Neill today. Josh is publisher and co-founder of Beehive Books. As Beehive Books have launched a Kickstarter this week for the GratNin<\/em> graphic novel by Ronald Wimberly, we got a chance to sit down and chat with the editor of the graphic novel.<\/span>\n\nHi Josh, it's a pleasure to have you here with us.<\/span><\/strong>\n\nCould you please introduce yourself to our readers and tell us about Beehive Books? Hello! I'm the publisher and co-founder of Beehive, a small-press graphic arts outfit based out of Philadelphia. We sometimes describe our project as an exercise in the possible -- we want to test the boundaries of what a book can be, and what kind of creative work we can produce. With inventive formats, visionary art and writing, and an utterly obsessive approach to design, we aim to build paper worlds. We have titles from Brecht Evens, Mike Mignola, Yuko Shimizu, Jim Woodring, Paul Pope, Bill Sienkiewicz, Ronald Wimberly, Rebekka Dunlap, Kent Williams and more. GratNin is our fourth project with Ronald.<\/span>\n\nHow did this collaboration between Ronald Wimberly and Beehive Books come about? <\/span><\/strong>\n\nI've worked with Ron several times as a contributor to books for my previous publishing venture, Locust Moon Press. So when Ma\u00eblle Doliveux and I launched Beehive in 2016, I knew Ron personally, and admired his work to no end. When Ma\u00eblle and I began approaching authors, our basic pitch was: what's a project that you think no publisher would take on? Ron, who for my money is one of the true visionary working artists of the 21st century, was literally the first person we approached. The answer then was LAAB Magazine, an experimental broadsheet art newspaper powered by the radical imagination -- we've since released three annual issues of LAAB. Now it's GratNin, this crazy accordion-folded story scroll, the next step of our ongoing work together (and part of the sort of nascent LAAB imprint). Ron has become more than an author, to us -- he's a friend and a partner, and his work is part of the DNA of Beehive.<\/span>\n\n![\"godzillakong1\"](\"http:\/\/comicbuzz.com\/wp-content\/uploads\/2022\/04\/godzillakong1-1024x386.jpg\")
\n\nOn average, how long do you spend storyboarding a movie?<\/span><\/strong>\n\nIt depends greatly on the type of project. High budget blockbusters like these three involved many months of drawing during\u00a0pre-production, and even after principal photography, when called back to draw for re-shoots.\u00a0On smaller projects, either lower budget or independent films, then yes, the average is less time. Either a couple of months or even\u00a0a few weeks.<\/span>\n\nDo you have a favourite scene from\u00a0Godzilla vs. Kong?<\/span><\/strong>\n\nFor sure, I\u2019d say the Hollow Earth Arrival, when the vehicles follow Kong\u2019s lead. Very trippy scene.\u00a0<\/span>\n\nAs you are crowdfunding the book and dealing directly with consumers, does that make the book more special for you?<\/span><\/strong>\n\nOf course, it\u2019s far more personal in a way. So I appreciate immensely every one single pledger wanting to get the book.\u00a0It feels similar to the interaction we had with fans at the artist alley\u2019s booths during comic book conventions. I\u2019ve been thoroughly going through the material, adjusting things to make sure the fans get the best possible presentation on the volume.\u00a0<\/span>\n\n![\"godzillakong2\"](\"http:\/\/comicbuzz.com\/wp-content\/uploads\/2022\/04\/godzillakong2-1024x386.jpg\")
\n\nDo you have a favourite Kickstarter reward?<\/strong><\/span>\n\nProbably the version with the original sketch coming along with the book.\u00a0<\/span>\n\nAny message for the ComicBuzz readers?<\/strong><\/span>\n\nI hope they will get the book and enjoy it as much as I did while working on the films. I invested myself in those movies\u2019 work in a big way both emotionally and work wise, and it\u2019s my goal they\u2019ll be able to perceive that through the printed storyboard sequences in this beautiful volume! So, I\u2019d like to send a big Thank You to all of them!<\/span>\n\nWe would like to say thank you to Richard for talking to us about his new book. We would like to wish Richard the best of luck.<\/span>\n\nFeel free to check out the Kickstarter: Godzilla & Kong: The Cinematic Storyboard Art of Richard Bennett<\/em> on Kickstarter<\/a>.\n<\/span>","post_title":"ComicBuzz Chats With Richard Bennett","post_excerpt":"Godzilla & Kong","post_status":"publish","comment_status":"open","ping_status":"open","post_password":"","post_name":"comicbuzz-chats-with-richard-bennett","to_ping":"","pinged":"","post_modified":"2022-10-07 21:12:23","post_modified_gmt":"2022-10-07 20:12:23","post_content_filtered":"","post_parent":0,"guid":"http:\/\/comicbuzz.com\/?p=207719","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":207681,"post_author":"2","post_date":"2022-03-30 13:44:32","post_date_gmt":"2022-03-30 12:44:32","post_content":"![\"carmenpromo1\"](\"http:\/\/comicbuzz.com\/wp-content\/uploads\/2022\/03\/carmenpromo1.jpg\")
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<\/span><\/p>\n\n\n![\"gratnin2\"](\"http:\/\/comicbuzz.com\/wp-content\/uploads\/2022\/03\/gratnin2.jpg\")
\n\nWhen and how did you discover GratNin<\/em>? <\/span><\/strong>\n\nI just read it as a passionate follower of Ron's work. I'll read anything and everything he puts out. When I finally sat down to read the whole thing through several years ago, I just fell in -- it's full of such humor, excitement, suspense, humanity, love for its source material, love for its characters. And it has this wonderful feeling of being a huge world to roam around in. We follow the characters we follow, but there's this feeling that more intrigue is down every alleyway. It's just an outstanding comic and we're so excited to be publishing it. <\/span>\n\nCan you tell us about the Kickstarter for the GratNin <\/em>graphic novel? <\/span><\/strong>\n\nGratNin presented an exciting and singular problem -- how to present this pageless digital comic in a print format. As per our usual ideological commitments in Beehive, we came up with the least practical, most exciting solution -- to present these remarkable stories on a series of unbroken accordion-folded scrolls, turning the downward-swiping digital read into a thrillingly physical experience. You track down four hundred feet of narrow page-space, in a format that brings to mind skyscrapers, alleyways, subway tunnels -- all the long verticals iconically representing this fantastical vision of New York. And we filled the box with ephemera from this alternate reality -- metrocards and maps and furoshikis and trading cards, making up a whole enveloping experience, skulking around New York with then Namba clan.<\/span>\n\nWhat have been some of the hurdles that you have had to overcome to get the project up to this point?<\/span><\/strong>\n\nThe biggest one was just figuring out how to present this story in a readable way. It's this pageless comic that goes down and down and down. How do you do it in print? That was the problem that we faced. It's the kind of problem that our team, and especially LAAB and GratNin designer Chloe Scheffe, find most delicious. I think it's been solved beautifully here.<\/span>\n\n![\"gratnin3\"](\"http:\/\/comicbuzz.com\/wp-content\/uploads\/2022\/03\/gratnin3.jpg\")
\n\nWe understand that the graphic novel will be an accordion style with folded pages; was this feature something that you wanted to do right from the beginning? <\/span><\/strong>\n\nNo -- we started with the problem. We didn't know the best solution. We thought about doing it as a scroll, as a giant folding map, as a long vertical book with a spine at the top. The accordion seemed the most elegant solution, especially for something so long -- we're talking about 600 pages, printed on three pieces of paper. It's the best at replicating and reinventing that feeling of falling down into this crazy thrilling world that you get from reading GratNin digitally.<\/span>\n\nBeehive Books is releasing the GratNin<\/em> graphic novel as a box set; can you tell us about the box set? <\/span><\/strong>\n\nWe took the next step, when designing GratNin as a fully formed reading experience -- we created a little miniature space to explore. We filled the box with ephemera from this alternate reality -- metrocards and maps and furoshikis and trading cards, making up a whole enveloping experience. A world for you to crawl into a skulk around. We didn\u2019t want to just present a print version of Ron\u2019s wonderful web comic \u2013 we wanted to work with him to reinvent it, and to build out his world.<\/span>\n\n![\"gratnin5\"](\"http:\/\/comicbuzz.com\/wp-content\/uploads\/2022\/03\/gratnin5.jpg\")
\n\nAs you are crowdfunding the graphic novel and dealing directly with consumers, does that make the project more special for you?<\/strong> <\/span>\n\nWell, we crowdfund most of our projects, so it's not any different from what we usually do. But yes -- crowdfunding does mean a much deeper-than-average engagement with your audience, and we conceive of Beehive as something other than a producer of goods with a base of customers. We see our readership as a vital community, the backbone of this whole operation. They're keeping the garden cared for and the soil tilled, so we can grow the things we grow. Our practice of building books out of an engaged community of readers makes all of our projects feel a bit more special to me.<\/span>\n\n![\"gratnin4\"](\"http:\/\/comicbuzz.com\/wp-content\/uploads\/2022\/03\/gratnin4.jpg\")
\n\nDo you have a favourite Kickstarter reward? <\/span><\/strong>\n\nBeyond the comic itself, I really love the printed cotton-cloth furoshiki wrap! I know I'll get a lot of use out of that... just a beautiful and useful object, which is all we ever really aim to make.<\/span>\n\nAny message for the ComicBuzz readers? <\/span><\/strong>\n\nBe kind to yourself. And buy GratNin! (These two go together quite nicely.)<\/span>\n\nWe would like to say thank you to Josh for chatting to us about <\/span>GratNin. <\/em><\/span>We would like to wish the whole team of GratNin<\/em> the best of luck.<\/span>\n\nFeel free to check out the<\/span><\/strong> campaign<\/strong>: GranNin at<\/a><\/span><\/span> Kickstater<\/a>.<\/span><\/span>","post_title":"ComicBuzz Chats With Josh O'Neill","post_excerpt":"GratNin\u00a0graphic novel","post_status":"publish","comment_status":"open","ping_status":"open","post_password":"","post_name":"comicbuzz-chats-with-josh-oneill","to_ping":"","pinged":"","post_modified":"2022-10-07 21:32:04","post_modified_gmt":"2022-10-07 20:32:04","post_content_filtered":"","post_parent":0,"guid":"http:\/\/comicbuzz.com\/?p=207638","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"next":false,"prev":true,"total_page":12},"paged":1,"column_class":"jeg_col_2o3","class":"epic_block_22"};
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